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Artist interview

Lacquer artist
Torige kiyoshi

Mr. torige which continues making an original lacquer art work with technique called the lacquer inlaid with gold.
I had you talk about charm of the lacquerware and the powerful charm of the work production, the future of the lacquer art.




A work of a  Mr. torige is a one point thing the concentration that is shown because there is not a sketch basically.
Besides, it is said that I can go ahead through the carving without a sketch.
"It becomes "work" and is boring in old days though I carved it according to sketch".
It is said that concentration does not break off as for carving it without a sketch in a quite thrilling substitute.
Being divided into specialized labors goes ahead through the world of the lacquer art for efficiency early, and the engraver mass-produces things according to design.
Mr. torige did such study, too, but was not able to continue it for a long time.
Mr. torige which "thought to want to become a writer was too strong in from the small time" goes the original way and reaches it at the present.







Mr. torige that it does not make a weak point same thing one more to make the same thing.
I tell, "I can clean the second more, and force disappears adversely" even if I made it.
Many works such as the miniature is brought about in the feeling of strain called the public performance only for once in the circle that "after all there is an aura even if it is said that spirit is different, or the work of the ......
beginning is slightly rustic, and there was a mistake".





"A work may be finished with one chisel" in the first place a motif makes a clear distinction from so-called tradition industrial art object.
The expression that is realistic like a European picture.
When I was young, I seemed to have been criticized.
Mr. torige talks when "I have I come with kawaiitoka and straw worth, and Rei or a ...... foreigner and a child feel friendly feeling".

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